Brunello di Montalcino

At first there was the Brunello di Montalcino. I found in the best restaurants the Brunello di Montalcino Mastrojanni and consumed often. In 1983 I came to Montalcino for the first time and I bought the Brunello di Montalcino wine in different place. In 1987 I visited Sandro Chia: he also producer of Brunello di Montalcino. And I met Carlo Vittori made into wine, Brunello di Montalcino by Sandro. So I'm in love with Charles Montalcino and began to look for me on a farm with the rights of Brunello di Montalcino to make me as producer of Brunello di Montalcino. It took ten years because we found Podere Le Ripi, 54 hectares of land with only one recorded in the Brunello di Montalcino. Wolf & Sirens was born in 2003, my first Brunello di Montalcino produced at Podere Le Ripi. And in 2008, confining Podere Le Ripi with Mastrojanni, after a long friendship with Andrea Machetti, former producer of Brunello di Montalcino and responsible Mastrojanni, we purchased with the Illy Group SpA (the holding company of us brothers Illy) the Mastrojanni which is now one of the best known brands of Brunello di Montalcino.

Brunello di Montalcino

Today, the Brunello di Montalcino Back of Donkey Mastrojanni often gets 94 points WAS and Parker and Brunello di Montalcino Wolves & Sirens Podere Le Ripi obtained with 2004 Weinwisser of 19,5 / 20, an exceptional result for an exceptional wine as Brunello di Montalcino. This ten-year adventure in Montalcino and in particular with the Brunello di Montalcino was the most beautiful of my life and continues: we are building a new cellar for Brunello di Montalcino, Podere Le Ripi that would become the cathedral of wine, with lots of pulpit to preach to Brunello di Montalcino and refined in our oak barrels. But we are also pursuing the project of Bonsai wine or the vineyard Brunello di Montalcino densest in the world. With 62,500 plants per hectare this Brunello di Montalcino comes from vines with deep roots that produce more than 2 meters per plant on average, a cluster: a new innovation in the world of fine wine that was born right here at Podere Le Ripi, in the town of Montalcino under the specification of Brunello di Montalcino. Today, the Brunello di Montalcino wine, Podere Le Ripi is a very rare because they produce very little and with the concept Bonsai wine become, I hope, the Brunello di Montalcino's most wanted in the world. Francesco Illy Winemaker in Montalcino Producer of Brunello di Montalcino At Podere Le Ripi, Montalcino
 
 
Aging and Refining

The refining can last over three years. The French often attack other wine producing countries with their famous say: "Nous faisons de l’affinage, vous faites du stockage." meaning that they rifine wines and we just stock it. Maybe someone does it, not us.

But they are right in saying that this is a particularly delicate phase of the wine making: all the barrels has to be tastes more almost once a week and many analysis accompany this procedure. The wines go into some reduced phases and present a strange rotten eggs smell: here attention must be paid because this smell has to be contained. Sometimes it’s the wine itself that changes and sometimes you have to bring some oxygen to it, simply moving the wine from a barrel to another.


Colour in Aging Wines

Big barrels or barrique? The always repeated question has a very clear answer: these are two completely different aging ways. The barrique ages the wines in an oxidative ambience and the big barrels in a reductive ambience: why?

First: the surface of the container in relationship to the content reduces drastically as the container becomes bigger. A liter of wine will have roughly 80 square centimeters of surface in a barrique and about 30 in a 35 hectoliters vat.

Second: the thickness of the stave is much smaller the smaller the container is.



Therefore the quantity of oxygen that can reach the wine depends first on the speed of penetration that is faster if the stave is thinner, and then from the surface that brings the oxygen to the wine.

Some where there is a dimension where the quantity of oxygen needed by the aging wine is higher than the quantity that the barrel lets in: this is the moment in which the ambience stops to be oxidative and becomes reductive.

What happens is that the colour molecules called Anthiocyanins contained in the wine turn brownish and reddish if they stay in a reductive ambience as they keep their original blue if the ambience is oxidative: this is something many people do not know.

Now, as an old and oxidized wine tends to become brownish and to loose colour, man people think that such a colour in a wine is a sign of over aging: this is particularly untrue with the Brunello di Montalcino, if you only think that his name, Brunello, means “brownie” because the wine, historically, was made in big barrels and was constantly, for years and years, in a reductive ambience.

It is obviously possible to make a “blue” Brunello: those who make systematic use of barriques produce wines with this colour, which means that it is not the Sangiovese that becomes brown with aging but just the way it is aged, exactly as in Barolo.

I can remember the anger of Mauro Mascarello when the journalists where criticizing his Barolo Monprivato for his “unghia aranciata” (orange nail) in the early nineties! They did not know this particular phenomenon… and they still do not know it yet.


Bottling

First we have to define the mass of the wine we will bottle.

The wine will come from different barrels and we will taste them all one by one. Then we will begin to put the samples together and taste it again. For the Brunello di Monalcino it is easier because the wine that will compose the mass is already defined from the very beginning, from the harvest.

But for the other wines – like our Canna Torta that contains vintage per vintage different vineyards of Sangiovese and different quantities of Merlot and Syrah – this process can take a few hours.

Some other wines, like the Bonsai that is a very small quantity, are just blended together and if they convince us… the mass is defined.

After we have decided the masses we put the wines together and wait for a few weeks.

Then we bottle it. The smaller amount by hand and the bigger, once in a year, with a bottlicng machine that my friend Maurizio Anselmi brings with his trucks. This machine washes the bottles with wine first and then fills them with a neutral gas, Argon, in order to fill the bottle with no air.

Soon I will be able to show also a video about bottling.